{"id":340,"date":"2017-07-31T09:20:09","date_gmt":"2017-07-31T08:20:09","guid":{"rendered":"http:\/\/www.nagorelegarreta.com\/?page_id=340\/"},"modified":"2022-03-18T12:40:55","modified_gmt":"2022-03-18T11:40:55","slug":"bio","status":"publish","type":"page","link":"https:\/\/www.nagorelegarreta.com\/en\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;232&#8243; img_size=&#8221;900&#215;600&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text css=&#8221;.vc_custom_1530049934843{margin-top: 1% !important;}&#8221;]<span style=\"font-size: 12pt\">Picture: Manu Barreiro.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1500979467325{margin-top: 3% !important;margin-bottom: 3% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1501489101045{margin-top: 4% !important;}&#8221;]Degree in Visual Communication. My fascination for photography started during the years I worked in the local newspaper Hernaniko Kronika (2003-2009), where I got in touch with photographic cameras.<\/p>\n<p>I&#8217;ve attended courses and workshops with reference photographers that have inspired my work. Photographers like Eduardo Mome\u00f1e, Oscar Molina, David Jimenez, Isabel Diez, Jon Uriarte, Gabriel Brau, etc.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1500979625578{margin-bottom: 5% !important;}&#8221;][vc_column][vc_column_text]In 2009 I attended a pinhole photography workshop and I inmediately understood that this primitive way of taking photographs was the perfect means of expressing myself. I liked the idea of being able to build cameras out of any container, therefore having the possibility of going beyond the standard photographic formats. I also liked the dreamlike and inaccurate images that this means produces.<br \/>\nIn the Spring of 2011, the editing house Banizu Nizuke published my first book, EDIPOTOA, where my first pinhole photographs were featured.<\/p>\n<p>&nbsp;<\/p>\n<p>Nowadays, I combine teaching photography -both pinhole and digital- with the research and development of photographic projects.<\/p>\n<p>&nbsp;<\/p>\n<p>(Short Bio. Author: Katapulta)<\/p>\n<p><iframe loading=\"lazy\" title=\"Nagore Legarreta - Katapulta\" width=\"1060\" height=\"596\" src=\"https:\/\/www.youtube.com\/embed\/c_QioSFcw1c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>In 2014 I started working on a project called HYSTERON, in which I took pictures using a 5 kg. tuna can and a cooking pot, both with several holes. I photographied women&#8217;s naked bodies against a black background. The cans merged some parts of the bodies with others, creating a feeling of tension between them. This work was released in 2015 and has made its way:[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1501489138133{margin-top: 3% !important;margin-bottom: 3% !important;margin-left: 5% !important;}&#8221;]-Saatchi Gallery, London, 2015.<\/p>\n<p>-Arg! photography Festival, O\u00f1ati, 2015.<\/p>\n<p>-Muestra de Arte Joven, la Rioja, 2015.<\/p>\n<p>-Argazkialdia Festival, Andoain, 2015.<\/p>\n<p>-Photoespa\u00f1a (Festival Off), Madrid. 2016.<\/p>\n<p>-Koldo Mitxelena Cultural Centre in San Sebasti\u00e1n, with the support of\u00a0 the European Cultural Capital event, 2016.<\/p>\n<p>-\u00b4Artistes de passage\u00b4-\u00b4Pasabidean\u00b4. Collective exhibition curated by Arcad in Hendaye, 2016.<\/p>\n<p>-The art space Le Bel Ordinaire of Pau has selected two pieces of this work that will be exhibited as the culminating activity of a research focused on women. Pau, 2018.<\/p>\n<p>-\u00b4Etxelila. Emakumin Topaleku\u00b4 (women&#8217;s house) of Ondarroa will exhibit this work in the context of a series of workshops for the empowerment of women. Besides the exhibition, I will give a participatory workshop where women will build their own cameras and will choose what\u00a0 to photograph, how to do it and how to exhibit the result. 2018.[\/vc_column_text][vc_column_text]Along with the editing house Banizu Nizuke I designed a can that contains the whole project. It was released canned and as well as the pictures, some other material is included in the can: texts related to the pictures, an engraving and a 7 inch vinyl in which you can listen to three musicians playing with instruments made out of cans.<\/p>\n<p>&nbsp;<\/p>\n<p>All this resulted in a multidisciplinary show in which takes place the interaction of pictures, body expression, the reciting of some texts and the live performance of the three musicians.<\/p>\n<p>&nbsp;<\/p>\n<p>I have been working on the project IMAGES OF FIRE between the years 2013 and 2017. During different trips to India I made a series of photographs using a camera built out of a machbox. Exhibitions:<\/p>\n<p>&nbsp;<\/p>\n<p>This work has been selected for Gran Canaria Foto, that will take place in October of 2017. That will be the first time that the whole work is exhibited.<\/p>\n<p>&nbsp;<\/p>\n<p>In June of 2017, the institutions AIR WRO and Etxepare selected my project about the river Odra for a residence that will take place during August and September of 2017 in Wroclaw, Poland. The river Odra configures the nature of the city and its inhabitants. I will photograph the city from the point of view of the river, treating the river as a living being that observes the city. I will give a participatory workshop in which the citizens will build their own cameras out of recycled containers and will later use them to photograph the river.<\/p>\n<p>The work will be exhibited at the \u00b4City and Culture\u00b4 international congress from 20 to 22 September 2017.<\/p>\n<p><span lang=\"en\">AECID, the International Cooperation Agency has recently approved roaming of the exhibition DI\u00c1LOGOS SIN PALABRAS, in which I participate, by the Cultural Centers of Spain in Mexico, Montevideo, Lima and Santiago de Chile among others. Roaming is planned for 2018 and 2019. In \u200b\u200bthis collective exhibition participate photographers as: Isabel Mu\u00f1oz, Bego Ant\u00f3n and Ouka Leele, among others.<br \/>\n<\/span><\/p>\n<div class=\"tw-swapa\">\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-ta tw-text-medium\"><\/pre>\n<\/div>\n<div class=\"oSioSc\">\n<div id=\"tw-target\">\n<div id=\"tw-target-text-container\" class=\"tw-ta-container tw-nfl\">\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-ta tw-text-small\"><span lang=\"en\">\u00a0<\/span><\/pre>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;232&#8243; img_size=&#8221;900&#215;600&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text css=&#8221;.vc_custom_1530049934843{margin-top: 1% !important;}&#8221;]Picture: Manu Barreiro.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1500979467325{margin-top: 3% !important;margin-bottom: 3% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1501489101045{margin-top: 4% !important;}&#8221;]Degree&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-340","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bio - Nagore Legarreta<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.nagorelegarreta.com\/en\/bio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bio - Nagore Legarreta\" \/>\n<meta property=\"og:description\" content=\"[vc_row row_type=&#8221;row&#8221; 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